Several centuries ago when the regions of Africa were being
explored by traders they brought with them trade beads which were also called
slave beads. The beads were used as currency to buy goods, services and slaves.
The beads originated in Europe primarily from Venice. Tons of these beads were
made and they were transported as ballast on the ships bound for Africa. As
well as being traded for human cargo (slaves) they were also used to acquire
ivory, gold and other goods.
Africans put a high value on beads and they were not only
used for decorative purposes but used as a means of accumulating wealth
becoming a much sought after form of currency.
Today hundreds of years later beads are still playing a
valuable role in African life by creating an income for thousands of African’s.
Beads are not only sought after for traditional purposes to
make adornments for tribal ceremonies but are also cleverly being incorporated
into sculptures and items of adornment attractive to today’s tourist
to Africa.
In years gone by a curio from Africa was all too often a carved
piece of wood or serpentine but over the last decade or so beaded items have
surpassed these items as the most popular take home souvenir.
In true African creativity the art of beaded wire sculpture
has advanced to such a stage that large icons are now being produced with beads
and wire.
A life size statue of the late Nelson Mandela and a life sized
elephant promoting a popular South African liqueur being only two items that
have now gone above and beyond the table top size sculpture.
Endangered animals like the rhino and sable antelope have
made their appearance as accurate reproductions of these animals. It seems as
if there is no limit to the level of accuracy that these bead artists can
achieve with wire and beads.
Travelling thousands of kilometres around South Africa we
encountered tens of thousands of items for sale on the open air markets, there
was no end to the kaleidoscope of items available.
Most of the artists man
their own stands in the informal markets and they can all be seen twisting and
turning wire in calloused fingers to create the shapes of the array of items.
They do not work with specialised tools only using a pair of wire cutters to
assist them in their craft.
In the cities many of
the African craft shops commission the manufacture of specific items which in
turn guarantees some of these artists a steady source of income.
The informal
open air markets though provide a more rewarding experience for shoppers as the
artists enjoy the interaction with tourists and they will proudly demonstrate
how their art is produced.
Beads have enjoyed a long history in Africa and once used by
unscrupulous foreign traders as currency have now been turned into a new and
valuable currency for many African’s and in their turn created a viable
business opportunity for many South African families.
Isigege |
Isigege |
Ibheqie |
Zulu Traditional Adornments:
Isigege: An apron
worn by young zulu girls on ceremonial occasions the design represented is from
the Msinga Area of KZN
Ibheqie: A necklace
worn by courting zulu men and women. The design represented is from the Nongoma
District of KZN
Four of the many bead artists and stallholders in Howick-Kwa Zulu Natal
Range of beaded products at Howick market
Kwa Zulu Natal Vulamehlo craft co-operative Hluhuwe Game Reserve.
Life size Marula elephant at Cape Town Airport
Endangered species: Sable antelope |